Sputiamo su Hegel e altri scritti has 31 ratings and 3 reviews. soulAdmitted said: Riconosciamo a noi stesse la capacità di fare di questo attimo una mod. Carla Lonzi, Sputiamo su Hegel e altri scritti [We Spit on Hegel and Other role they assume in the feminist debate of her time: Sputiamo su Hegel (Spit on. 14 mag rivolta femminile fondatrici lonzi accardi herstory femminismo luoghi Nel pubblica Sputiamo su Hegel di Carla Lonzi che provoca.

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As Boris Groys points out in this issue: Because it was written over a 15 year period, its ideas are in constant evolution. Her career peaked in the s but came to an abrupt, self-induced, caarla in following the publishing of her book. We used to call that place a museum.

Lonzi found married life straining. It is a story about getting to know people as an occupying force, and getting to know people as spputiamo. We somehow know, however, that the only way to do something truly meaningful is to plunge into this risky process.

Talking about the orgasm means talking about the compromises that we are all ready to make in order to reach and preserve pleasure.

Do you count on me? The idea of a society without qualities is an indictment of a state that fails to provide a life of quality for its citizens. There is a fascinating demand made on herself and others that appears explicitly sputixmo the very first lines of her journal.

Sputiamo Su Hegel, la Donna Clitoridea E la Donna Vaginale E Altri Scritti

Sometimes we can become exasperated: Scritti di Rivolta Femminile, Gaetana Cazora Russo – – De Luca. The Reinvention of Nature. Find it on Scholar. Elizabeth rated it it was amazing Jul 22, Click to start a hege, of the article above.

Inshe gave birth to their son, Battista Lena. Mery rated it really liked it Mar 22, Eugenia Hernandez rated it really liked it Jul 17, By putting her intellectual power at the service of the feminist cause and by deciding to simply give it up in psutiamo to concentrate on herself, Lonzi refused to capitalize on her positions of power within and outside the collective.

Refresh and hsgel again. Thanks for telling us about the problem. It appears elemental; we rely on it for our built environments and for all the objects we fill them with—our toys and tools, all our gifts and trash. The following year, inLonzi began her relationship with Pietro Consagra, an Italian sculptor.

We Are All Clitoridian Women: Notes on Carla Lonzi’s Legacy

What is interesting in this dialogue is that Consagra, as a man, seems to embody the artwork and its professional values, while Lonzi embodies a desire for radicalism, a need to unmask the violence of productive dynamics, and the possibility of living a life without a frame, a life that questions itself and intensifies itself without hiding behind obligations, habits, opportunism—a life that is, in fact, truly an artwork.

John rated it really liked it Oct 19, Denise Barba rated it liked it Sep 09, Work and the labor of love are the two poles around which the discussion revolves: Simians, Cyborgs and Women the Reinvention of Nature. But above all, her work is a precious tool because thinking against ourselves has become a vital necessity, as the illusion of a space outside power has completely faded.

Want to Read Currently Reading Read. I have used it to dismantle the danger of subculture and approximation.

We Are All Clitoridian Women: Notes on Carla Lonzi’s Legacy – Journal #47 September – e-flux

Her father owned a small industrial company and her mother dedicated her life to the nurture and education of Lonzi and her four siblings.

If her oeuvre is representative of the Italian Seventies—although it truly has its own incommensurable specificity—it is because it completely identifies politics with the existential space, with the practices of subjectivization and desubjectivization. The politics of the Rivolta Femminile are largely grounded in “autocoscienza” theory and practices. Viviana Di Domenico rated it really liked it Nov 18, Stefania Ultraviolet rated it liked it Oct 21, Agos rated it it was amazing Sep 16, By using this site, you agree to the Terms of Use and Privacy Policy.

Many characters, although they bear fictitious names, are recognizable: The fact that women are objectified by patriarchal culture appears clearly in the difference between the destiny of adult men and adult women. In the preface to her journal, Lonzi gives her final word on the feminine skill of multitasking: Science Logic and Mathematics. In addition, “Autorittrato” highlights issues of identity construction which remerge in her feminist work.

Amanda Boetzkes and Andrew Pendakis. There is an undeniable closeness between consciousness-raising and this form of nudism that reveals feminists to each other. It is not the process of This page was last edited on 7 Juneat A Journal of Feminist Philosophy 22 3: History of Western Philosophy.

Despite her eventual negative outlook on the field of art and art criticism, Lonzi has said that the experience and knowledge she gained from her work at as art critic greatly aided in her abilities as a feminist activist and theorist.

Donna Haraway – – Routledge. Carla Lonzi Florence, March 6, — Milan, August 2, was an Italian art critic turned feminist activist and author, best known as a cofounder of the Rivolta Femminile, Feminine Revolt an Italian feminist collective formed in In a telephone conversation with her sister Marta on January 30,Lonzi, invited to meet Juliet Mitchell, simply replies that because Mitchell is an academic, she is not interested.